Nana Ollerenshaw: Two Poems
Butcherbird
How can such a name
sing heaven?
Tuxedo dressed,
the soloist throws
flute-like notes, arpeggios
and yodelling
so rich in tone and cheerfulness
people stop and rest,
surprised by simple pleasure.
Air is liquid with his sound.
He tumbles octaves up and down.
The bird’s a Jekyll/Mr Hyde
who hangs his prey in tree forks
and while he’s piping golden notes,
murders on the side.
Nana Ollerenshaw
The Sausage Tree
An ordinary tree
disguised until
long hanging stems
with flower chains
that bloom at night
drop down to mess the ground.
Then phalluses descend
like silent chimes.
Arm-thick and pendulous they sag,
unsought by children or by birds
but marvelled at by passers by
who snicker at their fruit,
at African surprise,
a comic tree
whose obvious absurdity
destroys the hope
a tree might have
of being taken seriously.
Nana Ollerenshaw
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins