Giles Auty died in September, just short of his eighty-sixth birthday. He had been a valued friend and contributor to Quadrant ever since he arrived in Australia in the 1990s to write for The Australian. This memoir is the last in a series of three he wrote in the months leading up to his death

It is with a heavy heart that Quadrant mourns the sudden passing of friend and contributor Giles Auty, whose last essay appeared in our pages only three months ago. 'I believe that the greatest harm wrought to art in my lifetime,' he wrote, 'has been the steady intrusion of public funding into the realm of all of the arts.'

At various times as a full-time critic, I have wandered the storerooms of state and national galleries. If the public which pays for the art collected in its name could see even a fraction of the ephemeral rubbish it has effectively paid for, there would perhaps be cause for at least some form of cultural revolution

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