Marion Lucy: Two Poems
The Hall
After Grandma died
the hall became a skeleton,
stripped and cream.
With the hats and coats
gone, the pegs exposed
rib-like,
I see their detail:
two knobs
like porcelain eye balls,
the others with the expected
swell of necks.
The only colour in the cream
is an old red iron
holding back a door.
Even the kitchen through the
door frame is milky.
A mustard cup
and painted flowers on a jug
quiet on the dresser.
Lounge Room
Lying on the autumn carpet
the window is split into
four frames of sky,
the clouds poised as if painted.
The curtains remind me of
pale felt, piano keys
and things from long ago.
If I sit up on the fire stool
the lower frames fill
with goose bumped sea,
the evening sun brilliant
on the lighthouse,
the small yellow island
sharing the gleam.
The fireplace is broad
and stacked with slender logs
the length of legs.
Later we will toast our bread
on black prongs.
Grandma style.
The room is a muddle.
Her items are on display:
lace, bread tins, twine
and pillow shaped
sheepskin cushions
soft and warm, yet
too close to what they were.
Just like the kidneys she fed us,
fried whole and curled
next to our liver and gravy.
Marion Lucy
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins