John Whitworth: Two Poems
The Bad Banker’s Confessions to Good Granny Birdseed
From my eyrie in the City I spy schoolgirls playing games
And I lust through every lunchtime as they gambol.
The biplane of my enemy is going down in flames;
I rejoice without concealment or preamble.
My solicitors advise me to refuse outstanding claims.
I am busy annotating all the works of Henry James.
They have stolen all my Rembrandts; I have nothing but the frames.
It’s a mystery no headwork can unscramble.
Every Sunday in Saint Paul’s there sings a choirboy so sublime
He would tempt a very saint to acts of thuggery.
The Archdeacon and the Dean have both embraced a life of crime,
And their boats are well and truly burned to buggery.
They’re locked (God is not mocked) into a parlous paradigm,
For the serpent has arisen from the old primeval slime,
And it’s my belief it won’t be long before they’re doing time
For sexual malfeasance and skulduggery.
All the dead have quit the boneyards in their robes of dust and ashes
And they’re marching in a phalanx past my door.
I started robbing banks because the banks are where the cash is,
And I found I needed money more and more.
So I preen myself at functions where the heroin and hash is,
And I’m regularly off my face at whisky-swilling bashes,
And I wear dundreary whiskers and long mexican moustaches,
I’m a recreant and rotten to the core.
In our brazen towers we bankers dine on foie gras and champagne,
While you peasantry are huddled in your hovels.
Your singlets and your reach-me-downs are sodden with the rain
And you’re cooking rats and turnips on your shovels.
Yes, the filthy rich are targeting the filthy poor again;
As the taxes and the rents go up, hope slithers down the drain,
Like an electronic caterpillar boring through your brain,
Like a scorpion at a parliament of devils.
Bricks-and-mortar, Granny Birdseed, that’s the bank to keep your money.
Treat all other banks with caution and distrust.
They’re the dens thieves and chancers, all emollience and honey,
Who will rob you blind and grind you in the dust.
We will swear upon our mother’s life the weather’s set to sunny.
‘It’s as solid as a Rock!’ It’s not – it’s viscous and it’s runny.
We will kiss you and caress you, whisper you’re our bestest bunny,
For we love you, Granny Birdseed, don’t we just?
John Whitworth
Candyman
It was the cruel Candyman
Who came and took my child away.
He locked her in his transit van
And drove her from the joy of day
Into a sad and seeling night.
No moon or stars were in the sky,
He needed none, his eyes were bright,
They lent the light to steer him by.
His horrid hair was lank as rope,
And cold as fish his hangman’s hands.
He had no faith, he had no hope,
His life had run into the sand.
So scoured of humankindness, wild
With withering, he took my child.
Pitiless as a metronome,
He wrenched my darling from her home
To lie in some unfathomed combe.
But I will live, if God is good,
To flay his flesh and drink his blood
And grind his bones into the dust,
For that is right and that is just.
John Whitworth
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins