Jamie Grant: Two Poems
Morte d’Arthur
“I forbid you to buy
that dog.” The instruction
could not be mistaken.
And yet it was taken
in the opposite direction.
Later that same day
a return to the pet shop
brought a yellow-furred,
soft-nosed, eyesight-blurred
retriever pup
into the home. A name
was chosen, that might be deemed
suited for a middle-rank
suburban bank
employee, for it seemed
we live in a time
where people give to their pets
the names they once gave
their children, and save
more animal epithets
for children who then grow
up to be teased at school
for a label
they had been unable
to choose, uncool
or comical. It happened, also,
that the name given
to the puppy was that
of a mythical king. At
the end of seven
dog years, a year had passed
for his human owners,
and in that stretch
of time he learned to fetch
a ball and chew on bones
for dinner and at breakfast.
Once he was captured
by council rangers
approaching strangers
on a railway platform.
He pursued possums
in the trees, and barked
at passers-by
from behind the safety
of a fence, chased parked
cars, rolled in algae blossoms
from the pool, and lay
across the doorstep
as if meaning to stop
intruders, until the day
when he moved himself inside,
becoming as much a part
of the furniture
as the rugs and feature
window. He was smart
enough, by then, to hide
his half-chewed bones
in shaded spots
where he would not
forget the ones
putrid with clinging
soil-coated meat.
He lay before
the winter fire
in dream-twitched sleep,
his hair moulting
on carpet
and floorboard
alike. The word
“dinner” would set
him prancing
from paw to paw
with visible pleasure,
a measure
of animal greed, before
he went hunting
for scent among the trees.
He had a perfect life
for a dog, but like all life
it could not be
eternal. At the end
he became confused
like Henry James in his
final illness
who was convinced
that his London apartment
was really a ship at sea
while his kind support
staff were all part
of a conspiracy;
in his canine
bewilderment
our old dog kept mistaking
walls for doors, and walking
in circles when he meant
to take a straight line.
There was nothing to be done,
said the vet,
but to put
him to rest. Borne
into the surgery
on a board like a hero
borne on his shield
over a corpse-strewn field
he was laid on a narrow
strip of leathery
grey canvas. A sharp
jab into the neck fur
and he began to snore.
Did a harp
play while he slept?
The handsome
young vet
knowing how a pet
must always come
to such an end, wept
all the same.
We left with no more
than the collar-tag that bore
his number and name.
Jamie Grant
In Flames
Slack water beneath the creaking pier
where children lean on a wooden rail
and scatter chips and breadcrumbs.
We are about to sail,
but first we watch the fish jostle
one another, like shoppers at the mall,
to gather the fallen crumbs.
Then it is time for us all
to climb aboard the yacht,
with its furled sails and motor idling.
The journey begins, downstream,
the boat sidling
beneath forest-shadowed banks
and sandstone cliffs, the blue-green hills
looming like clouds above the mast.
The world of work and bills
is left behind as we relax
on deck, the glamorous boat-owners
and us, sipping champagne
and, as a bonus,
the children distracted and content
to play with one another
allowing us to converse
with their young mother,
who is pleased with her beauty
like many doctor’s wives,
and her husband, the trusted GP,
who holds human lives
in his grasp and is aware of it. He
basks in the light draped over the stern
as he basks in the admiration,
glowing like sunburn,
of his patients with their imaginary
ailments. Flaunting borrowed wealth
dependent on those people
and their constant ill-health,
he is playing the part, today,
of family man and host,
and the yacht slides onward
like a ghost.
We open a picnic basket
on the deck, and hand out cans of Coke
to the children. As we eat
someone smells smoke.
Ash-white clouds are rising off the hills.
The sun is now a burnished metal plate.
Unless we return to the shore
it may be too late.
The boat turns and is headed
upstream once more. Soon there are flames
among the forested banks.
The children’s games
are over. A tunnel of fire
seems to surround us. Our doctor friend’s
calm bedside manner
abruptly ends,
while his elegant wife
cannot disguise her disdain,
for it is not the forest but their marriage
going up in flames.
Jamie Grant
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins