Door
Door
This door is becoming art with parallels
of weather diverting at wood knots.
These knots are vicinities of texture—
their ingrained paint fast with lead base.
Intervals of dent highlight entry of nails,
now covert grip playing foil to a rusted latch.
Token brass offers a flit of light conjured
by the spit and polish of storm gust.
This door becoming art, is the weather’s Braille,
read by the fingertip halt and hurry of rain.
This door’s inner face conserves its craft,
its enamel cloistered from abstractive sun and water.
Behind this door’s climatic etch dwells
musty air and forsaken moments.
This door secures a room of phobic spiders,
their webs like crochet of an ancient aunt.
Behind this door becoming art, silence
threads needles and moves slipper quiet.
Silence sits at a hearth near tongue and groove,
whose key denies outside changes.
Silence sits listening for Bogong moths,
those fluttering chimney sweeps of chance.
Ken Stone
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins