Dennis Haskell: Four Poems
How Close to Calligraphy
For Robert Gray
Through the graffitied windows
of a rackety Sydney train
I look out on “hectares” of suburbs
but the word sounds odd to someone
who grew up in feet and inches, and still
thinks ordinarily of acres, who remembers
“chains” and “roods” and “perches”,
those useless imperial words
now mummified in bandages of silence
utterly unlike the silence of margins
—not the so fashionably academic
outside the suburbs,
but that white space
at the ends of our lines
that publishers insist
readers insist on,
the spaces that show we believe
there is always more to be said
and readers might say
or at least might think it.
Now, when every year seems an extra,
a parody of the death that
has already silenced my father, I’ve somehow
come to think that “God” is the least
likely to say anything,
and be very calm about
that clear-as-a-wardrobe silence.
Why should the years make me meet
His or Her blankness with tranquillity
when those same years have taught
that the wisdom I once thought
we’d grow into
is as distant as a beacon in hell?
So here on the wrong side of 60, with fewer
years to come than have already been,
on a train sliding quickly
through Sydney suburbs
I can see hundreds of kids, and their
screaming parents, all with European,
Arabic or Asian faces, scramble across
huddled fields, and hundreds of girls
scamper down lines, lean up to netball rings
with avaricious anticipation. Life is
up there and out there. Later, at the Quay
ferries ruffle back and forth beside
and underneath the black arched bridge.
Dennis Haskell
Instincts
for Ann Jamieson, wherever she may be
One day, one summer, about 1959
my mate and I approached tall,
long-haired, pony-tailed Ann Jamieson
with a cacophony of bugs and beetles
we must have taken days to collect.
She shrieked, and fled in terror,
we chased, aiming at her hair
hysterical locusts and bewildered beetles,
delighted with our bravado,
her schoolbag flapping on her hips.
This apology comes late by fifty years.
Boys who have reached eleven or twelve
have odd ways of showing they like you
which girls who have reached eleven or twelve
strangely, find difficult to construe.
We laughed like larrikins,
unaware of the urges which had lain
so long in the chrysalis of our bodies
and had now begun to stir and buzz.
Dennis Haskell
Nature and the Human
I spent a week at St Anne’s-on-the-Sea
For a dose of English summer—wind and rain mainly—
But I never did manage to see the sea.
I stayed at Breverton, the lovely b & b
Where Anna and her kids were kind as kind can be:
I spent a week at St Anne’s-on-the-Sea.
I looked far, as far as any eye could see
And saw sand flats stretched across the estuary
But I never did manage to see the sea.
The tide crept in at night, oblivious to me
Through the force of nature’s perversity
I spent a week at St Anne’s-on-the-Sea.
Fish and chips and a pint—a gourmet’s specialty;
Under “No dogs” signs dogs walked nonchalantly
But I never did manage to see the sea.
I thought nature and humans could readily agree
But the sand flats leached away endlessly:
I spent a week at St Anne’s-on-the-Sea
But I never did manage to see the sea.
Dennis Haskell
Tinnitus
5,000 angels dance on a pin
creating a thin, high-pitched singing
in the empty area of my ear,
plucking each high harp string
in a Morse of ping and whistle;
I can hear the whistle
but can’t discern the music,
suffer its relentless din—day
into stinging night into day.
It can’t be cured the doctors say
so they play audiologists’ tricks
to fool my brain. My curative sound’s
the shilly-shallying of surf,
of water fussing and trembling
on sandy shores, or flopping
a susurrus over rocks. You can hear froth
laced to the surfaces of sound.
For a year I’ve listened
to this slumbrous rustling cure,
surf splashed in the computer’s core,
gushed through the car’s soft speakers,
water thrushed over my head
in whispering sleep.
And still the angels sing
their dog whistle tingling,
their unchanging I-Ching,
the shrill denizens of my inner ear.
A thousand pins drop tinkling
down cliffs of ice, and zing
again in a tympani of feeling;
for folly is as folly does:
this brain is not for fooling.
Dennis Haskell
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins