Christopher Snook: ‘The Creek’
The Creek
We came out to the creek and the concrete brick wall creeping over the culvert, the water six feet
below and the dark dank of the tunnel, breathing, skippers walking on water and the three of us
sprawled on the hot stone with the sudden soft ash of a slug’s body between us, and the long line
of fences to one side of the gulley that guttered slow-wise through the suburban backyards, the
stream dappled-dyed gold leaf in the sunlight, moving to the monotone moan of lawn mowers,
hedge clippers, the dull buzz of a thousand bugs, the waterway a child’s roadway between home
and school, school and the invisibilia of play, play and the muted rhythms of footfall squelching
in the creek then the silent pedagogy of solitude before twilight and the call home. What did we
know of waterways, then, of Red Seas and Jordan Rivers? What did we know of the sea’s
torment or of anything not soothed by the soft warm glow of our names arcing through the air at
day’s end?
Christopher Snook
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
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