Barbara Fisher: Three Poems
Grace Cossington Smith’s Interiors
How she loved doors!
Her interiors are full of them.
It’s as if her front door has admitted us
to her house and the intimacy
of its rooms with their chests of drawers
and beds and chairs and sewing machine,
prosaic enough one would think,
except that all are suffused with colour.
And in the rooms are open doors
leading to her studio or the big garden
with its lawn and massed trees.
Then there are the wardrobes
with their open doors and mirrors
reflecting the verandah and more garden,
all awash with her signature brushstrokes
of multi-hued pigment
and the dazzle of light.
Open doors and open mind:
well-bred church-going spinster,
long-time resident of a genteel Sydney suburb
and early, amazing modernist.
Barbara Fisher
Considering Fred Williams’ Landscapes
Odd that we never
really noticed
how our trees look
straggling up a hillside,
ragged against the sky.
Until he showed us.
Farewell Claude and Constable,
Glover and Heysen too,
with your luxury
of form and light and shade,
noble trees and rolling cloud,
shining stream and the glow
of early evening …
No, we are set down
in amorphous scrub
on a scorching summer’s day;
we are drenched in yellow ochre
scattered with what appear
to be random blobs of impasto.
Of course, there is light there
but it seems like
the unforgiving glare of noon.
Yet we could not be
more in this landscape.
Perhaps we’d always known
it in our bones––just needed him
to rip conditioning veils
aside.
Barbara Fisher
Yellow
Vincent did not have
a jaundiced view of yellow.
Consider that yellow self portrait,
not to mention those sunflowers,
that furniture and those fierce
fields of wheat, and a blue night
swirling with yellow stars.
All dripped from his brush.
Nor did those emperors of Cathay
disdain a colour
they made their imperial own.
Oh those coats of yellow silk!
So why I wonder
are cowards considered yellow?
True, we’re used to yellow fever
and once to yellow peril
but I’d rather dwell on yellow pleasures:
butter and eggs and yellow box honey,
wattles in bloom and poplar leaves
strewn on the ground in autumn,
while not forgetting the fin de siècle charms
of the Yellow Book or the wit
and sauce of Sydney’s one-time
Yellow House.
Barbara Fisher
Madam: Archbishop Fisher (July-August 2024) does not resist the attacks on his church by the political, social or scientific atheists and those who insist on not being told what to do.
Aug 29 2024
6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins