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Giles Auty

Giles Auty

The Latest From Giles Auty

  • A Warning from a Wiser Age

    A while ago after finally unpacking several hundreds of my […]

    Aug 31 2010

    5 mins

  • Rivalries among the Masters

    Happily for me, a recent visit to London coincided with […]

    Jan 01 2010

    11 mins

  • Recollections of a Rural Childhood

    The earliest clear memory I retain is of lying in […]

    Jun 24 2009

    15 mins

  • Pedder by Max Angus

    Lake Pedder Protagonist

    by Giles Auty

    Pedder: The Story. The Paintings,

    by Max Angus;

    Lake Pedder Restoration Committee, 2008, $70.

    Max Angus’s moving narrative sets before us a gentle and dignified man’s understanding of what was once an intensely inflammatory issue: the flooding of Lake Pedder in the cause of a hydro-electric power scheme. Lake Pedder was the jewel in the crown of Tasmania’s formerly untarnished south-western wilderness area.

    If subsequent conservationists were even half as reasonable as the author and illustrator of this slender but beautiful book their causes would be served much better.

    Angus chronicles what he sees as the tragic flooding of an area of outstanding natural beauty in the early 1970s in the light of his impassioned association with Lake Pedder which began in 1953. Unlike many who support so-called green issues today, Angus does not automatically characterise his opponents as either villains or vandals. What the book concludes, in fact, is that the flooding of the lake was ultimately unnecessary and that the famous, shallow, sand-fringed site could and should be restored one day to its former glory.

    Jun 01 2009

    2 mins

  • Pictorial Banquet

    During some twenty years of writing regular art criticism largely […]

    May 01 2009

    4 mins

  • Arguments Against Abstraction

    In last September’s issue of Quadrant, Sydney lawyer Baron Alder […]

    Jan 01 2009

    16 mins

  • Hirst, Henson and Hype

    Hirst’s is an unusual case in that his art’s origins lie properly in the left-wing anti-art movements of the late 1960s yet his art has largely been embraced by private buyers, at least, by those plying trades among the less acceptable faces of capitalism, such as money traders and ad-men.

    Dec 01 2008

    11 mins