Mob Tix: Inclusion or Racism?

Alexander Voltz

Nov 11 2023

11 mins

When Rosa Parks boarded a Montgomery City Lines bus and staged the protest that would immortalise her, she did so with the courage and defiance of one whose convictions are authentic. The prejudicial segregation of a racial group from another, or the act of apartheid, should be an abhorrent concept to any civilised person, particularly the educated Australian. How distressing, then—how regressive, how divisive, and how racist—that, for an untold period, various Australian arts organisations and institutions have been racially segregating their patrons at the box office.

On September 12, it emerged in The Australian that the Sydney Opera House, the Australian Ballet, the National Gallery of Australia, the Sydney and Melbourne Symphony Orchestras and the Sydney Fringe Festival were all administering race-based ticketing schemes that afford sizeable discounts to Aboriginal Australian patrons. I could not believe this news when I first encountered it; in all my seasons of concert…

Alexander Voltz

Alexander Voltz

Quadrant Music Editor

Alexander Voltz

Quadrant Music Editor

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