Fingerprints of Musical Genius

Malcolm Gillies

The Rising of Music’s New Dawn

Alexander Voltz

The Handy Malleability of Malinformation

Salvatore Babones

The Land That Invented Cancel Culture

Kevin Myers

Galarrwuy Yunupingu: lord of the manor

Keith Windschuttle

Donald Trump and the Standard of Evidence

John O’Sullivan

Absolute Earnestness and Extreme Triviality

Anthony Daniels

The Corrupting Myths of Indigenous Origins

Peter Purcell

Gallery Days in the Realities of Marianne Baillieu

Christopher Heathcote

From Wartorn Europe to Australia

Ross Fitzgerald

Men Supplanted

Alan Barron

Helping Us to Vote ‘No’

Timothy Cootes

Strength, Vision and Dedication

Reg Naulty

Lessons from the Whitlam Years

Gary Johns

English: A Discipline in Search of a Purpose

Conor Ross

Hungary and the Future of Western Conservatism

Simon P. Kennedy

The Violent Streets of French Decivilisation

Michael Connor

Elgar’s Tenth Muse: After Alice

Joe Dolce

Songs from the Kitchen

Christopher Akehurst

More Dubious History on Forrest River

Rod Moran

Imagined Sovereignty, Maligned Truckies and More

At War with Wodehouse

Barry Gillard

A.J. Ayer and the Meaning of Life

Mervyn Bendle

Sigismund Koch and the Meaningful Human Life

Wanda Skowronska

From SEATO to JAUKUS

Daryl McCann

The Midwit Shallowness of Anthony Albanese

Samuel Mullins

The ABC of Wokery

Nicholas T. Parsons

The Smear of Slavery on a Welsh Village

David Martin Jones

The Unmaking of Australia and the New Monoculture

Christopher Joliffe

The Baby Licence

Corry Macleod

Part of a Phone Conversation Overheard

Ouyang Yu

Three Dollars

Gabriel Bergmoser

Covidiocy, Complicity and Corruptocrat Joe

Tim Blair

Cardinal Pell at the Hands of the Victorian Justice System

Frank Brennan

Ray Penny: ‘understanding’

Ray Penny

Wendell Watt: ‘In Smiling Hands’

Ivan Head: ‘Bishop Berkeley’s Jack Russell Explains Colour Theory to Him’, ‘Floor Exercises for a Phenomenologist’ and ‘Victim’

Ivan Head

Berislav Maroya: ‘Mountain sonnet’

Berislav Maroya

David Dalton: ‘Definitive Biography’ and ‘When the Sports Centre Closes’

David Dalton

Sara Miller: ‘Legend’

Sara Miller

Ethan Turner: ‘amor fati’

Ethan Turner

R.J. Stove: ‘The Song of the Postmodernist’

R.J. Stove

Marilyn Peck: ‘Listen to Leos’ and ‘Magpie Bathing’

Marilyn Peck

Ian Reid: ‘Vital signs’

Ian Reid

Marcus Ten Low: ‘Tofu’ and ‘Amputee’

Marcus Ten Low

Andrew Lansdown: ‘Ocean Haiku’, ‘Of Catnip and Women’ and ‘The Chosen Whale’

Andrew Lansdown

Jason Beale: ‘Étude’ and ‘Rothkovian’

Jason Beale

Joe Dolce: ‘Anemone’

Joe Dolce

Karen Blaylock: ‘Artists’

Karen Blaylock

Devika Brendon: ‘High Requiem’ and ‘Omega’

Devika Brendon

A.M. Juster: ‘For Bayara Manusevitch’

A.M. Juster

Tony Cousins: ‘Arthur Brown’ and ‘Horace. Odes 2. 10.’

Tony Cousins

R.J. Conlon: ‘I’m Not Bitter’

R.J. Conlon

Kevin Hart: ‘Death and Some Friends’, ‘Eight Poems’ and ‘The War Years’

Kevin Hart

Peter Stiles: ‘Lark Ascending’, ‘Mount Athos’ and ‘Tribute to Ralph Vaughan Williams’

Peter Stiles

Trevor Bailey: ‘Neighbourhood’ and ‘Portrait of a Marriage’

Trevor Bailey

Mary Cresswell: ‘Lockdown Pastoral’

Mary Cresswell

Geoff Page: ‘Last Bar’, ‘Ah, how justice’ and ‘In Praise of Crows and Ravens’

Geoff Page