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September 2023 Volume LXVII Number 9, No. 599
The Kindness Imperative
Mark Walland
The Good Son
Kirsten Due
Nixon and Kissinger: Bringing China in from the Cold
Daryl McCann
Alexandre Dumas’s Hobart Town
Michael Connor
George, Eileen and the Patriarchy
Matt Gaughwin
New Songs from the Bush: Harry Nathan’s Waltzing Matilda
David R. Crowden
The Voice
The Hidden Documents Behind the Uluru Voice
Chris Battle & Keith Windschuttle
Section 129: The Making of a Constitutional Farce
Stephen Mason
Quadrant Music
New Songs from the Bush: Harry Nathan’s Waltzing Matilda
David R. Crowden
The Loneliness of the Long-Distance Organist
R.J. Stove
Composing the Future and Reflecting the Present
Catherine Broadstock
Alexander Voltz
Ukraine
John Whitehall
The Philistine
Snow Sorta-White and her Non-Dwarf Shark-Jumpers
Salvatore Babones
Asperities
Bank on the New Establishment to Play Dirty
John O’Sullivan
Astringencies
‘Positive’ Discrimination’s Little Mentioned Obverse
Anthony Daniels
Books
George, Eileen and the Patriarchy
Matt Gaughwin
Barry Gillard
Bruce Dowding, Australian Hero of the Resistance
Ross Fitzgerald
Discovering One Thousand Buddhas
David Walker
China
Nixon and Kissinger: Bringing China in from the Cold
Daryl McCann
Film
SAS: Rogue Heroes: Daring and Winning
Joe Dolce
Guest Column
Bess Nungarrayi Price
History
Michael Connor
Letter From London
Nationalism and the Conservative Basics
Andrew Cusack
Letter to the Editor
Philosophy & Ideas
Albert Camus and the Meaning of Life
Mervyn Bendle
Sexual Politics
Christopher Jolliffe
Story
Kirsten Due
Sweetness & Light
Poems
Joe Dolce
Vic Spandrio: ‘This is Not a Fire Sale’
Vic Spandrio
Ian Stewart
Rhett Talley
Ross Jackson
Graeme Hetherington: ‘Taking It Out On The Wood’
Graeme Hetherington
Allan Lake: ‘I Shall Compare Her to …’
Allan Lake
James Brookes: ‘Remittance Men’
James Brookes
Jeremy Gadd
S. Walker
Jason Beale
Andrew R. Timming
David Jeffery: ‘Adagio for strings’ and ‘No harbour’
David Jeffery
Stephen Gilfedder: ’email from the minders in heaven’ and ‘Glance’
Stephen Gilfedder
Michele Fermanis-Winward: ‘Our Most Familiar Landscape’