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A Personal Reflection on ‘My Fair Lady’

Elizabeth Beare

Oct 28 2017

12 mins

pygmalionPerforming once more in Sydney this year has been a re-run of the 2016 version of Lerner and Loewe’s musical My Fair Lady, a production directed by Julie Andrews, its original star, and featuring reproductions of the authentic Cecil Beaton costumes.  It celebrated the 60th anniversary of this musical’s opening in London’s West End, after its 1956 triumphal season on Broadway.

Subject to numerous revivals, the present one, a romping treat for the eyes and ears, is true to the original 1950’s sets and costumes.  This adds to our sense of what is an interesting anachronism: Edwardian optimism through the prism of that other most optimistic of eras, the twentieth-century’s Fifties.  The Edwardian era is shown to us through a musical ‘book’ prepared for an audience in 1950’s style. The refraction takes place through the already iconic Shavian tale of Eliza Doolittle, an ambitious but impoverished young Covent Garden flower girl, a raw-voiced Cinderella, transformed as a…

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