Nicholas Hasluck: Two Poems
Grandson
The faint where are you voice
comes to us from afar,
softly, playfully, the words
going this way and that way,
not knowing where we are.
Here, behind the big curtain,
the oncoming footfalls pacing,
I am hiding in the silence
with my little man, his heart
beneath my hand racing.
His tiny heart reminds me
of his father’s heart, another day,
now lost in time, when my son
was here beside me, his whisper
giving the game away.
Brave, but not so brave,
swapping glances in the gloom,
it will all be frantic laughter
in a moment, as we dash
into the other room.
And so, the game runs on,
runs out, the end unplanned,
but something of myself will
linger here, a memory of his
heartbeat in my hand.
Nicholas Hasluck
Barque
An ill-fated barque
near reefs off Rottnest,
a cargo of building needs,
nails, windows, doors,
at risk in furious seas.
When its captain saw
the lighthouse-keeper’s
distant warning flare,
he mistook it for a beacon
promising a haven there.
And so, drawn forward,
the hopeful barque went on,
went in, as if at last he saw
a faint but friendly light
above a neighbour’s door.
An old anchor propped
on the foreshore now
points to the lonely place
where the barque went down,
leaving scarcely a trace.
Or points to this perhaps:
that nails, doors and windows,
homes we build or yearn for,
may come to rest at last
as fragments on a coral floor.
Nicholas Hasluck
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6 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
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23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
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2 mins