Late Sun in February
This hill takes diamond when a slant
of sun ignites each filament
and tilted grass must show how blonde
is rampant to go vagabond
in streaming pinheads where a wind,
that’s fugitive, yet disciplined,
directs each needlepoint of gleam
toward my elsewhere and my home.
Then hill takes opal, seed-heads shy
their orange facets at the sky,
and the bushland’s underlit
by orange that transfigures it.
This bridle path tracks Telstra wires
where frogmouths hunch on their desires
while in the rife stormwater ditch
endangered frogs locate their pitch.
I can’t live easy in my times.
Who can? Some discontent consumes
my interest whose better face is
where self and lumen share their places.
So what’s the self? A slant of light
that must move on yet stay in sight?
The self’s a verb, I self, we selve
unfolding from the selves we shelve
yet losing nothing when it casts
the lighted moments it outlasts,
the marvelous that supervenes
along the world’s exact routines.
A silk of smoky blue and grey,
Is now the hillside’s overlay.
And elsewhere’s where the light is seen
and home will hive where light has been.
Many will disagree, but World War III is too great a risk to run by involving ourselves in a distant border conflict
Sep 25 2024
5 mins
To claim Aborigines have the world's oldest continuous culture is to misunderstand the meaning of culture, which continuously changes over time and location. For a culture not to change over time would be a reproach and certainly not a cause for celebration, for it would indicate that there had been no capacity to adapt. Clearly this has not been the case
Aug 20 2024
23 mins
A friend and longtime supporter of Quadrant, Clive James sent us a poem in 2010, which we published in our December issue. Like the Taronga Park Aquarium he recalls in its 'mocked-up sandstone cave' it's not to be forgotten
Aug 16 2024
2 mins