The national broadcaster’s boss this week fronted Melbourne’s Press Club, where she meekly endured a hectoring by underling Jon Faine that can only confirm how far the ABC has moved beyond both shame and supervision. Then came our Tony Thomas with his ABC-approved filthy mouth…
In what organisation other than the ABC can an employee insult the managing director to the wide world and emerge from it covered in managerial bouquets? This is a wonder arising from Michelle Guthrie’s ballyhooed address (before and after) to the Melbourne Press Club yesterday (June 19).
Last Thursday, Melbourne’s ABC 774 morning shock jock Jon Faine broadcast the following in the course of a rant about the ABC being “done over” by the Coalition government (if only that were true!):
“I’ve been here since 1989 busting my guts for a vision and a set of values and, quite frankly, I’m sick of getting it ripped apart because of the failure of our managers.
“[Guthrie’s] been remarkably quiet and reluctant to engage in what she herself has previously described as ‘megaphone campaigning’. She says, ‘No, the best way to protect the ABC is to work quietly behind the scenes’. And that’s obviously delivered a terrible outcome in the last budget.”
So, Faine indicates that Guthrie is a leadership failure in general, someone who has stood mute while ABC “values” are trashed and is now running a mistaken, top-level strategy that has severely damaged the institution.
I was going to ask Guthrie at the Press Club why she hadn’t already sacked this unruly employee[i] but Richard Ferguson of The Australian beat me to it. He asked, “Have you spoken to Jon Faine about his criticism of upper management? If not, do you have a message for him today?”
Jon Faine’s greatest snits, featuring James Delingpole,
Tony Abbott and Gillard/Wilson investigator Mark Baker
To my bewilderment, and perhaps Faine’s, Guthrie responded with affectionate laughter for the 774 morning host before Flanagan had even finished. She replied with a simper: “Jon is a great broadcaster! What is fantastic about Jon and our other amazing broadcasters is that they are leading the conversations that matter to people. The great thing about the ABC is that we matter. When you see all the attention placed on us it is fantastic to be relevant…”
Thus emboldened, Faine dissed and badgered her some more: “No-one could be more pleased than me to see you do it [make speeches]. We don’t understand why you are so reluctant to do it more. We need a champion, a public champion, not a managing director who hides from the media or public engagement. We have to engage with [the public]. Are you prepared to do more?”
Guthrie began by saying she didn’t agree that she hid from the media. Faine then talked over her and did so loudly, a habit many of his on-air guests have endured. “I can’t get you on my show, nor can my colleagues or rivals.” Faine then allowed Guthrie to resume and she ran a line that “the more you speak, the less you are heard” and that speaking with impact mattered most.
The Guthrie/Faine or Faine/Guthrie power relationship typifies all you need to know about ABC management’s control of staff.
On another ABC note, readers may wonder why I am by-lined atop this report as “Swearing Man”. The soubriquet was bestowed – and not in a friendly way – by the meeting’s compere and ABC presenter Michael Rowland.
Ms Guthrie’s Press Club performance can be viewed in full here
I wanted to ask Guthrie about the filthy language to be heard on the ABC, especially in its purported “comedy” programs. Loathe as I am to use foul words in public, especially when addressing a woman, I nevertheless forced the ABC-endorsed obscenities to cross my lips. If such language is good enough for the national broadcaster to beam into millions in prime time, the person in overall charge couldn’t complain at hearing them at the press club. My question went as follows:
“Your would-be comedian Greg Larsen on Tonightly last March called Australian Conservative candidate Kevin Bailey a c**t. In that four-minute segment I’ve counted two ‘f***s’ and eight ‘c***s’. Although the ABC apologised [to Bailey personally], management had checked the segment before it went to air and it complied with ABC editorial and classification standards. How can you defend such standards?”
Compere Michael Rowland chipped in nervously, “We’re not going out live to air are we?” His fear was odd, as Tonightly’s “f***s” and “c***s” had certainly gone out, live-to-air, to a vastly larger audience than the Press Club lunchers. (editor’s note: while those vulgarities appear quite acceptable at the ABC, perhaps even in the executive suite, they are not appreciated at Quadrant Online, hence the coy asterisking. Those who missed the broadcast, can tolerate a painfully unfunny alleged comedian and endure the aren’t-we-just-so-cute-and-shocking schtick of compere and guest can see what their taxes pay for in the clip below.)
Guthrie, no giggles this time but appearing somewhat flummoxed, replied that the Tonightly episode was being independently investigated and had been referred to the Australian Communications and Media Authority (ACMA) for review and determination.
“It is important to make sure we reflect community standards and also important to understand the context in which it is done,” she began.
“What is appropriate for 7pm News or Play School is very different from appropriateness in a comedy program at 9 or 9.30pm on our comedy channel. It is not one size fits all, it very much depends on the context.”
So in the ABC/Guthrieworld, the words “f***” and “c***” are OK in context. Maybe her colleagues uses the latter, although misogynist, in the context of ABC board meetings, in a humorous way of course. (‘Pass me the effing salary list, old c***’?’ Surely not!)
I was hurt that compere Rowland dubbed me “Swearing Man”, merely for quoting what his own organisation delivers to the public, when I managed to get in the forum’s last question:
“The BBC’s last annual report discloses the pay of its 20 top news and current affairs presenters. The BBC since 2009 has published the salaries of all its 106 executives on 150,000 pounds plus, and their expense claims and gifts as well. So what’s the problem with disclosing ABC managers and presenters salaries likewise?”
Guthrie replied: “The issue is currently the subject of a proposed Parliamentary bill. I don’t think you are correct to say it is the top 20 presenters. It is actually [equivalent to disclosing] my salary, my friend [chief financial and strategy officer] Louise Higgins’ salary, as well as directors and heads of our content teams.
“That disclosure is more than provided by private media organisations or public listed ones.
“On top of that it is more than required by the public service. We have been very clear in saying our highest paid presenter is paid a fraction of the highest paid BBC presenter. We have no gender pay gap at any level.
“Anything more than that [in disclosure] is really going to impact our ability to retain staff and also invades their privacy in ways completely unacceptable.”
Was I wrong? The BBC does not disclose its top 20 presenters’ pay? Where do I start? The BBC gives them in bands of £50,000 so I’ll take the mid-points. A run of the mill BBC news and current affairs presenter called James Naughtie (love that name!) gets 175,000 pounds. A Martha Kearney, presenter, is on£225,000. An Eddie Mair is top dog presenter on £325,000
On radio, mid-level gal presenter Moira Stuart is on £175,000, whereas top guy Steve Wright is on a handsome £525,000. a Lot of BBC presenters are called “multi-genre” like Mark Chapman on £225,000. And top man is a Chris Evans on a stunning £2,225,000. If Ms Guthrie would like more detail she can contact my secretary.
Little more is to be said. I made my hasty exit, feeling somehow I had made myself unpopular among the 98% ABC fans at the lunch. As I went past the TV cameras, one of the cameramen snarled, “You’re a c***!”
He refused to say who he worked for.
Tony Thomas’ book of essays, That’s Debatable – 60 Years in Print, is available here
[i] Faine suggested last Thursday that he might be in jeopardy: “If it gets me into trouble, then so be it.”